Planning Ministry Releases AI Slop Song on Eve of Independence Day

 

Planning Minister Ahsan Iqbal shared on his X account what we can only call an AI slop song, dedicated to “the youth of Pakistan — the architects of our nation’s future”.

“Inspired by the timeless philosophy of Allama Muhammad Iqbal, this song carries the message of Khudi and the spirit of the Shaheen. Iqbal taught us that true strength lies within. A nation rises when its youth discover confidence, character, knowledge and an unshakable belief in their own potential,” the minister wrote in his tweet.

The song, based on a poem by Allama Iqbal, has been released by the Ministry of Planning, Development and Special Initiatives and URAAN Pakistan, the ministry’s initiative to spotlight and advance projects and reforms as part of the 5Es National Economic Transformation Plan.

Rather ironically, he wrote that the poet’s Shaheen “never accepts mediocrity and always aims for greater heights”. But what’s more mediocre than a government department using AI to create a song and music video instead of hiring actual Pakistani artists and filming it in our beautiful country?

In 2022, the government  released  a re-recorded version of the national anthem to make it more inclusive. It featured musicians from all over the country with diverse regional, cultural and ethnic backgrounds and was gender-balanced and inclusive of national musical talent. That’s the kind of content we want to see from our government, not this.

“Today, Pakistan needs a generation of Shaheens — young men and women who choose hope over despair, innovation over stagnation, and hard work over excuses. Under the vision of URAAN Pakistan, we are building a future driven by knowledge, technology, entrepreneurship and opportunity. That future belongs to you,” the minister wrote in his tweet.

It’s unfortunate that a minister, while calling for the youth to “work hard”, is promoting AI slop of this kind. Pakistan is full of talented artists, any of whom could have written, composed and sung this song. We’re not even going to go into the impact AI has on the environment, even as  data centers  are inaugurated in Pakistan, a country that already faces water scarcity.

AI slop is already taking over the internet. One of the most well-known attempts at replacing actual humans with AI is an inane attempt by  Elon Musk , the AI pushing owner of X and Tesla, to recreate The Odyssey using AI because he didn’t like Christopher Nolan’s version, ostensibly for being too ‘woke’, read: not featuring only white people. Three weekends in, Nolan’s The Odyssey has generated a whopping  $911 million  at theatres around the world and Musk’s plans are still just that — plans shared in a tweet.

Artists around the world are condemning the use of AI, both in writing and in music. Seth Rogen, the American actor and director, recently  said  that if your first instinct is to use AI to write, you shouldn’t be a writer. Nolan  called  it a Trojan Horse, just one that’s not stealthy. In 2024, over  13,000 artists,  including some of your faves like Radiohead’s Thom Yorke, ABBA’s Bjorn Ulvaeus and actor Julianne Moore, signed an online  statement  warning about the unlicensed use of artificial intelligence.

Pakistani artists are also fighting this battle. Recently, Hira Tareen  cautioned  fellow actors to read their contracts properly because a production house tried to get her to sign away her digital likeness. “First, they use AI just to make your posters. Pretty innocent. Then they use your voice for dubbing. Then they call you in for 10 scenes instead of 20, because now the model is training on your existing likeness and footage that they already have. And then, one day, the model is ready and they don’t need to call you in at all,” she said.

There are also  arguments  against the use of AI to generate music and how it threatens to relegate actual human-made music to mere disposable background noise rather than a meaningful cultural artefact.

This Independence Day, we hope our government will honour actual Pakistani artists — not machines. - Images


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Editor: Akhtar M. Faruqui