Page 31 - Pakistan Link - December 31, 2021
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ENTERTAINMENT
      ENTERTAINMENT & LIFESTYLE                                                                                      DECEMBER 31,  2021  –  PAKISTAN LINK  –  P31
                                                                                                                         DECEMBER 31, 2021 - PAKISTAN  LINK












































































                 arachi:  2021 was the  year  of new musicians  tak-  heart and soul. It is a rendition that might not please a purist   The video accompanying the song is also heartwarming,
                 ing centre stage as veterans showed the way. Many   ghazal fan but stands on a merit of its own.  featuring glimpses of Sadpara from the various expeditions he
                 like  Taha G brought their  A-game to live shows   Aftab’s Mohabbat first gained more popularity after land-  went on. While some accused the Channo hitmaker of profiting
         Kthat finally kicked off after several halts because of   ing on former US President Barack Obama’s summer playlist   from the climber’s death, others appreciated his efforts to “sing
         the pandemic. Everyone grooved to Hassan Raheem’s Joona   of 2021, following which, Aftab nabbed Grammy nominations   for an unsung hero.” Even Mahsud’s son threw his weight be-
         while Natasha Noorani’s Choro sprinkled life over a dark and   in the categories of Best New Artist and Best Global Music   hind Zafar for using his father’s song as a vessel to reach and
         commercialised world. Danish Roomi also made room in our   Performance, the former being a first for any singer of Paki-  celebrate Sadpara.
         hearts with his Iraday while many of our established perform-  stani origin.                          ‘WOH KAUN THI’ – KASHMIR
         ers shined too.                                     ‘DIL JALANE KI BAAT’ – ATIF ASLAM                 Kashmir have proved time and again that they really know
            Ali  Suhail  released White  Flag  and Noori went  back  in   After mesmerising listeners with soulful renditions of de-  how to make any song their own. Be it their infamous rendition
         time with a music video for Bol. Meesha Shafi’s Hot Man-  votional offerings like Wohi Khuda Hai and Mustafa Jaan-e-  of Aamir Zaki’s Mera Pyaar or EP’s Waqt, the band has been
         go Chutney Sauce became all the rage and Abdullah Siddiqui,   Rehmat, this year, Atif Aslam tried his hand at Noor Jehan’s   making great covers for years now. Their recent, an acoustic
         Aima  Baig  made us stop, and  think  with  Be  Myself. Asim   Aashiyane Ki Baat and took the trophy for providing the per-  take on the Vital Sign’s classic Woh Kaun Thi, is another that
         Azhar, with his revamped live band and Bilal Maqsood’s help,   fect example of a cover done right.  struck a chord with listeners instantly.
         had quite a few successful concerts too and Faraz Anwar teased   Aslam’s Dil  Jalane  Ki Baat  fuses South Asian  Classical   Bilal Ali’s soothing voice leads with a charm that is
         his upcoming music ensemble, Tale of the Lunatics.  elements with western music, courtesy of Saad Sultan, who’s   chiseled  further  by  the  band’s  minimalistic  percussion
            But while it’s great to see so much original music final-  created a trance of sorts to offer us with a taste of two worlds.   work which is fun and goes with the vibe.  The guitar
         ly churning out and being appreciated in Pakistan, 2021 also   Released by SufiScore, the song is backed by Aslam’s soft vo-  strums beautiful open chords while the bass grooves lurk
         brought with itself its fair share of memorable covers and one   cals, making his interpretation of the song much sadder than   behind. The rendition doesn’t take away much from the
         of them even nabbed a Grammy nod. Here’s a lowdown of the   the original without bringing many changes to how it is sung.   original but definitely adds a dose of fresh, youthful en-
         five best renditions we heard this year without any branded   Aslam also hits all the right notes, impeccably crooning the   ergy that is inspiring.
         show forcing them down our throats.              track using his signature vocal belting.             ‘MANIKE MAGE HITHE’ – NATASHA BAIG
            ‘MOHABBAT’ – AROOJ AFTAB                         ‘PAHARON KI QASAM’ – ALI ZAFAR                    Natasha Baig is no stranger to the realm of cover songs
            This year saw Arooj Aftab take the world by storm with   After becoming an instant hit among residents and tour-  either. Known to excel at singing in various languages and of
         the release of her third album Vulture Prince which features   ists up north, Paharon Ki Kasam gained new life following Ali   different folklore from around the region, the Hunzai singer
         her beautiful take on Hafeez Hoshiarpuri’s ghazal, Mohabbat.  Sadpara’s demise in the form of Ali Zafar’s rendition. Orig-  recently rendered a version of Yohani’s Manike Mage Hithe, a
            Initially rendered by the likes of Mehdi Hasan and Farida   inally sung by Kamal Mahsud, Tum Chalay Aao Paharon Ki   Sri Lankan Sinhala-language song by Satheeshan Rathnayaka.
         Khanum, Aftab’s version of the song is quite dissimilar to its   Kasam (Come back for the sake of the mountains), assembled   Baig rendered the track after sharing how she fell in love with
         predecessors but keeps the vigour alive. Its minimalistic in-  the late mountaineer’s journey into phrases that hauntingly de-  its melody. Effortlessly crooning the same with a ukulele in her
         strumentation and subtle brass sections remind one of Nusrat   livered everything he longed for while expressing the grief and   hand, Baig’s rendition is on point, courtesy of her commend-
         Fateh Ali Khan’s collaboration with Michael Brookes, Night   guilt of those that longed for him. Zafar reenvisioned the song   able pronunciation and enunciation.
         Song. The harp blends in seamlessly with the acoustic strum-  with a modern sound  while retaining its core elements. His   While she plays a simple three-chord structure on the in-
         ming pattern, almost sounding like a sitar in places, creating a   version allows the flute and rabab to create an eerie mountain   strument, the heavy timbre of her vocal tone also adds a very
         melancholic vibe. Aftab resorts to singing only three couplets   atmosphere with the signature Pashto groove being brought to   raw and authentic feel to the song previously made famous in
         of the nine written by Hoshiarpuri but does so with precision,   life using electronic percussive elements.  Yohani’s featherweight voice.

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